5 Practical Monologue Rules for Film Actors

Let's say you finally get in the room for a live audition in today's self-taping world.

You're killing it. You've memorized your lines, broken down your script like a boss, and took direction like a champ.

Then casting asks, "Do you have a monologue prepared? We'd like to see you do something different to get a feel for your range."

"Uh....no. I've never really needed one since I'm not a stage actor. I thought I was just doing this material. I didn't see a note about having a monologue ready in the breakdown. Here's another excuse, and another, and another."

"Oh. Ok well thank you!"

You just lost yourself a job, actor friend.

We film actors still need to have monologues prepared for auditions.

Since we don't perform monologues as often as stage actors, it's not as crucial for us to to have multiple or rotate them as often.  

However, we don't want to be caught off guard if someone randomly asks us to perform a monologue at a callback.

In this post, we'll discuss five practical monologue rules for film actors so you're always prepared for an on-camera audition with the best possible material.

We want to give casting every reason to say yes to us, so you'll give yourself an edge by implementing these five rules.

1. YOU ONLY NEED TWO

Again, we're not stage actors, so don't get too overwhelmed with finding a million monologues from various time periods.

Just pick one comedic and one dramatic piece that will show your range if you do them back-to-back. Do not freak out about contemporary or classical.

Find material that you like and go for it.

Theatre kids typically need four or five monologues with a mix of genres and time periods: comedic contemporary, dramatic contemporary, comedic classical, dramatic classical, and one wild card.

Film actors aren't asked to perform monologues as often as stage actors because most of our auditions start with self-tapes, which means way more submissions for the casting office.

​They only have time to see how well we deal with the client's material in that initial phase, and a bulk of our auditions will only consist of those initial rounds.

However, if you are asked to perform a monologue in an audition, then either replace it or prepare a different one of that same genre in case you audition for that same casting director again.

​If you're a film actor that's constantly getting asked to do monologues for some reason, then go memorization crazy. But if you're like the rest of us that rarely get asked, then having two different monologues ready will make you look way more prepared than most.

2. EDIT THE OBVIOUS

It's hard to find film monologues because they're either too iconic or the scripts are dialogue heavy.

We should choose monologues that make a casting director ask, "What's that from?" even if it sounds familiar to them.

Sometimes names and unique details will give it away, but my acting coach gave me a tip I didn't know was allowed.

You can edit out and change the names or unique details in a monologue that make it a dead giveaway.

How freeing is that? It's not a huge copyright issue if we're using the material behind closed doors and not getting paid directly for performing it.

One caveat to that tip is to please still avoid very iconic, overdone monologues that casting directors will immediately know even if you edit the proper nouns.

Those iconic pieces still likely have famous tag lines that can't be edited. For example, there are no proper nouns to edit in the line, "You can't handle the truth!"

3. TALK TO SOMEONE

You know how sometimes you get a monologue and suddenly think it's ok to talk to the ceiling or look like you're talking to a crowd?

Yea, that's not gonna work.

We still need to treat monologues as if they're dialogue, which means we need to deliver the lines to a person--an actual person.

Here are three things to consider:

• Think of someone you actually know that you can connect the words to. Is it a spouse, child, ex, best friend? Now picture them as you say the words. Better yet, call them and ask them if you can say your lines to them. 
• If you have an acting buddy on hand, have them perform the lines directly before and after as if you two are doing a full scene. Return the favor.
• If you're in an audition, you'll hopefully be asked to deliver your lines to a reader so you have an actual person to interact with and relate to. If so, you need to completely disregard how you delivered the line to the person you called or your actor buddy because you now have a new living, breathing human being in front of you that you should relate to differently.

Do not run your lines in the mirror. Ever. How you feel is what matters, not how you look.

Just make sure you say your lines to an actual person at some point during your rehearsals.

4. GET COACHING

A good acting coach will ask another actor to stand in front of you so you're not delivering your lines to the wall.

I don't care how well you prepare, your material will not be at its strongest unless you have a third party professional give you notes. Perform your monologues in acting class before you perform them in an audition.

I didn't do this and I wanted to kick myself when I saw the before and after.

Arvold, a very reputable casting office in Virginia, actually requested self-taped monologues twice this year to get a pulse on new talent in the Southeast. How cool?!

I submitted my self-edited monologue in the first round, even though I knew I should wait for feedback from my acting coach. It wasn't horrible, but it hadn't been critiqued either.

I didn't have time to take it to class before the submission deadline, so I took it after that initial round.

After getting notes in class, I had a completely different performance. Guess what? Arvold released the second round of submissions, but I couldn't submit again! 

If I had followed my gut and waited, I would've had a stronger submission.

Don't procrastinate because you never know if an opportunity will present itself next week!

If I had prepared my monologue sooner, I would've had a stronger piece when I needed it. 

5. REHEARSE MONTHLY

I've been a slacker on this rule because I didn't schedule a reminder in my phone.

We need to schedule monologue rehearsals at least once a month so we don't forget our lines. Please don't assume you'll remember them.

Twice a month is probably better.

Commit to running your lines by the end of that day no matter what.

When you see the reminder, open the monologue on your laptop or a picture of it in your phone so you remember to do it. 

TAKE ACTION

How great would it be if you were ready to go the next time you saw a self-taping audition request that asks for a monologue? 

What if another casting director releases a self-taped open call?

Start searching for your two monologues today, and don't close your browsers until you find them.

While you're browsing, be sure to learn these best practices for writing thank you cards that will get you noticed since sending headshots and resumes is quickly becoming outdated.

---

PIN THIS POST: